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<url><loc>https://thesoundprincess.com/2026/11/13/what-are-we-afraid-to-feel-on-the-poetry-of-nada-gordon/</loc><news:news><news:publication><news:name>Otohime</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-11-13T19:48:54+00:00</news:publication_date><news:title>What Are We Afraid to Feel? On the Poetry of Nada Gordon</news:title></news:news></url><url><loc>https://thesoundprincess.com/2026/11/13/the-aesthetics-of-extraction-why-nada-gordons-poetry-is-not-harmless/</loc><news:news><news:publication><news:name>Otohime</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-11-13T14:51:10+00:00</news:publication_date><news:title>The Aesthetics of Extraction: Why Nada Gordon&#8217;s Poetry Is Not Harmless</news:title></news:news></url><url><loc>https://thesoundprincess.com/2026/11/12/the-alibi-of-excess-bad-faith-appropriation-and-the-exhaustion-of-nada-gordons-poetics/</loc><news:news><news:publication><news:name>Otohime</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-11-13T03:42:11+00:00</news:publication_date><news:title>The Alibi of Excess: Bad Faith, Appropriation, and the Exhaustion of Nada Gordon&#8217;s Poetics</news:title><news:keywords>poetry, writing, poems, books, literature</news:keywords></news:news></url></urlset>
