Every Rebel Has Its Period

Favorite lines from Bruce Andrews’ reading last night:

Vastly cute absentee father

mermaid neckbone

the first lady: that condom

ironic extra ass

the guano of moral value

impeach the mind

do the new pluperfect awful inside of the inside

anal glaucoma, as in “I can’t see my ass coming into work today,”

Is he a house president or a field president?

penis sings water water [here he stopped to take a drink]

neuro-Gucci

body sushi

[and my personal favorite…]

Every rebel has its period

…………………………………………….

chris cheek also gave a great reading, but I was so interested in his projections and his outfit that I forgot to write anything down. I am interested anyway in his obsession with “partials”… phonemes that suggest, but don’t complete, meaning, and how his work forefronts how compulsively and sensuously we read any text, no matter how fragmentary. Dig the groovy checker effect of his woven text/images…



Please to note, even though the photo is dark: KILT, KNEE SOCKS, BLACK BOOTS. Love it. Love it.

How to Avoid Fleeting Poetry Trends

Step1
Develop and keep your own style. Trust your instincts about what sounds best with your education, theories, influences and place in the poetry hierarchy.

Step2
Adopt what you truly like, but recognize that it may not be the last word forever.

Step3
Understand the process. Be aware of why, as well as when, a poetry trend is cooling. Poetry trends and fads can happen because a style is cool (spontaneous bop prosody) or fun (flarf) or even shocking (the gurlesque).

Step4
Adapt the style you want to adopt. For example, is everyone writing short short poems but you just can’t? Add an extra stanza to your poems so you can write them short but not as short as everyone else.

Step5
Mix trendy words with classic ones.

Step6
Break some rules; bend others. If the poetry fashion is proceduralism, try writing eight poems of eight lines each instead of retyping the whole goddamn newspaper. If slow poetry is in, use long vowels and dying metaphors before you actually opt to O.D. on barbituates.

Step7
Develop confidence: Take a class, read poetry magazines, get a poetics lesson, get your MFA done.

Step8
Learn about poetry, style, tips and tricks, then go out and make your own poetry news.

Tips & Warnings

  • Take a long look at yourself before you go on a poetry safari. Will those politics go with your voluptuous sensibilities and your weakness for beatnik paraphernalia?
  • Realize that a stylish writer with purple prose can carry it off if he’s confident.
  • Impulse poems are for gratification in haste and repentance at length.

Marrakech

I feel weird – jet-lagged, trying to make myself stay up until normal bedtime. This sultry afternoon I went to get first a cup of tea at the Bengali bakery – to keep me up – and then a pedicure – Jenny, expert salon employee pumiced away at the callus that had developed on my right big toe tromping through the souks and the marchés, through madrasas and palaces, museums and metros. The world, this trip reminded me, is bursting with various and chaotic splendor.

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We took a red-eye that stopped over for four hours at Heathrow, where we ate some odd food (Gary’s sausages, he swears, were “bangers”) and wallowed briefly in the accents, which we could not help imitating. Long lines at Heathrow and curt signs posted saying not to bother the airline staff or you would be sent home. One bag only permitted. Liquids in Ziploc bags. It’s always been a hassle to travel, now more so than ever. Frayed tempers. My hair a giant dried-up frizz, sharpness in nose – I wanted to cry. That feeling of yanking oneself over an ocean. But I did feel that it was an omen to see this:

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We arrived in Marrakech on time, at just after 7 in the evening and just in time for a sunset. Tiles in the airport – air hot and dry. Met by an extremely tall Moroccan man who drove us to the riad. My French had to kick in instantly. Driving up to the city, he explained that we were nearing Koutoubia, the great mosque that sits just across from the Place Jemaa el Fna.

The rosy color of the walls. Veils. Whizzing motorbikes: vweeeeeeee, vweeeeeeee. Heavy smell of diesel. Then inside the medina – whoa, crazy driving – into labyrinthine streets. Much street activity – shoppers, storekeepers, donkey carts, teenagers out in the cooler evening air — and we were dropped off at a little place we later learned was the Place Moukeff – car too big to go all the way to Riad Safa, where we had booked a room. So our luggage went on a kind of wheelbarrow into a tiny twisty little street where Gary tripped on a rock in a dark stretch of alley. Kids running there, screaming, trying to grab our ankles. A doorway: our riad.

We were greeted by Jean Michel and Frederic, the kind proprietors of the riad. Jean Michel, sportive and brisk, explained this little hand-drawn map of the medina to us. Fred reminded me of Ray Bolger, lanky and with a wide grin.

Riad Safa was so beautiful – with its open courtyard’s magnanimous orange tree, its perfect décor down to the tassels on the curtains, the tastefully placed antique travel ephemera, the woven cushions, or this lamp outside our room:

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Dinner of sandwiches on the terrace, prepared by one of the two cooks at Riad Safa – I didn’t catch the names of these two angels, but their sweetness was so palpable I could only think, whenever I saw them, “orange blossoms!” — then showers, and then to bed under nearly unnecessary mosquito netting (I saw only one mosquito in Marrakech the whole time we were there) (but it did look nice and reminded me of home) that first night for two very weary travelers.

————

(written mostly Monday morning)

How to describe that feeling, going to a place for the first time, that it is ever so much more like its representations than you had expected? Stepping out of the riad into the hot light and the rosy, dusty pathway – a woman passes in full djellaba and veiled face – like a pastel kuroko – can this world still exist? Did the Medina evolve out of sheep paths? Or what else explains its twistiness? The walls – both the outer wall and the walls that set off the houses – the fondouks – from the street – are like fortifications, it’s true – but the colors are so sensuously soft and the details so exquisite – iron knockers on doors the shape of hands, curled iron grillework, arched passageways in nested layers – that it feels more like a collection of secret places than a place of defense.

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Gary proved – unexpectedly – to be a brilliant navigator, clutching the little map Jean Michel had given us and finding the first fountain, then the second, that were the landmarks on the way out of the little piece of the maze where Riad Safa nestles. We were tentative on that first day – our first stop was the Medersa Ben Youseff, which is no longer active as a madrasa, but was filled with huge tour groups exposing both impractically and insensitively a great deal of skin. The amazing madrasa:

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I kept entirely covered while I was there – though not always my head – and must say that I found the uncovered skin and body-conscious outfits I saw on tourists and “loose” Moroccan women much less attractive than the variety of djellabas – in sherbet hues, embroidered in arabesques – I loved especially the pink ones – so elegant and groovy on whizzing motorbikes. Moroccan women are breathtakingly beautiful – perfect oval faces and hair twisted up and clipped at the back, when not covered by a djellaba hood or pretty headscarf:

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I didn’t make it to a hammam and that makes me very sad, as that is supposed to be the best way to get to know Moroccan women; I didn’t even buy any of the famous savon noir they use for gommage polissante. Sad! But I was only there for four days, and they were hectic, and hot, and full days – and I must admit to being culture-shocked. Strange! I’ve been to Hat Yai and Penang, SuZhou and Prague, Virginia and Merida, Hastings and Ubud – but Morocco was different. Not just because it was a Muslim country (for so, after all, is Malaysia, and so is, for that matter, much of my neighborhood!), but because it is (arguably) Arab.

Did I mention that outside the Medersa was an herboriste outside of which hung enormous loofahs and some REAL leopard pelts? I don’t have a picture to prove it, but there they were. I surely was in Africa. The Medersa was a study in intricacies. If you are, as I am, a tile fetishist, you MUST go there.

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The lobby of the Marrakech museum held the hugest and most impressive brass chandelier one could possibly imagine. Recesses that once served as fountains held audio speakers that played luscious and hypnotic oud music which I would happily have bought had it not cost even more than it would here in New York.

Exhibits of Berber jewelry and embroidery sent me into utter ecstasy.

Even the bathroom was gorgeous:

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I transformed myself for a moment into a pasha, a brazen orientalizing fool. OK, for more than a moment. What can I say?

To be continued!

Intersection of Race and Gender

I got off work a little early yesterday and took the bus down DeKalb, got off at Flatbush and decided to walk to Target to hang out in some air conditioning — it had already hit 90 degrees. Walking past the Nevins station, I passed a seller of incense, oils, books and DVDs. He was tall, remarkably handsome, black, and wearing a beautifully embroidered kameez and cap. Remembering a film I had seen a few months ago about the popularity of the so-called “Protocols of the Elders of Zion” among such sellers, I browsed the DVDs — only to find such titles as “Judaism, a Stolen Religion,” and “Jews, the Illegitimate Race.” The cover of the latter was illustrated with an old-fashioned cartoon of an orthodox Jew, with a pendulous nose and side-curls. I picked it up and walked over to the seller.

“Can I help you, sister?” he said.

“How much is this?”

“Fifteen dollars.” (If it had been five, I would have bought it out of curiosity)

“You know, I have to say, I find this really heartbreaking and offensive.” (I put the DVD down on top of some incense.)

“Heartbreaking? Why heartbreaking?”

“To have the group of people I come from labeled ‘illegitimate.’… (I looked right at him) You should be able to relate.”

“You should put that back where you found it,” he said, indicating the DVD.

“Thanks for helping your ‘sister’,” I said, and marched off, despondent and furious. “Jerk.”

People are so fucking stupid.

Notes on zaum

Transrational language: a temporary ecstasy, more private than public. Can be returned to sporadically for intense sensation, like ice cream. Best used “in the mix” for contrast, i.e. as dessert (although not necessarily in a linear sense).

Glossolalia: the showy display of murky privacy.

Cherish the zaumishness of garbage-y cyber-detritus. Don’t knock it — use it, milk it.

Fear of the transrational in poetry is akin to a fear of sex (fear of milkiness?).

Animal language is probably not transrational, although it appears to be, to us.

We can keep the transrational interesting not just by contrast — also by degrees and permutations.

Is the transrational a mutation of the rational? Trun hoova blee smur.

Things To Do USING Kensington AS A BASE

visit the ponies at the horse stable
go on a paddle boat on the Prospect Park lake
take the B 16 bus through Boro Park on any day except Saturday and marvel at the backwards time travel
get off and visit Brooklyn Chinatown for excellent bubble tea and cheap fashion items
re-board the bus and take it to Bay Ridge — look at the water, also eat real Moroccan couscous off of Fifth Ave
take the B68 down to Coney Island Ave. and Foster, explore Little Lahore — good for buying fabric if you are a fabric person
get hennaed at one of the salons in Little Lahore — also buy some Bollywood DVDs
get back on the bus, go to Sahara near Ave. T, eat a huge amount of Turkish food under the grape arbor
get back on the bus, go to Brighton Beach, trip out on the Russian ladies with their wild hairdos
ride a bike down Ocean Parkway
go to Pergament and buy cheap stuff for the home and occasionally find awesome designer stuff cheap
walk around on 13th and 14th Aves. in Boro Park, take pictures of the nutty old-fashioned signage
make sure to buy the makings for a Greek salad at the 24-hour produce store on Church — don’t forget the feta (so many kinds to choose from!) and fresh mint
go to Ave. J and E. 16th and taste the famous traditional pizza there
hang out around Church and MacDonald in the Bangladeshi area — great chicken tikka, tea, and paan! also lakh earrings in the little stores on I think Chester?
walk around in Ditmas Park envying the houses
go to Vox Pop for coffee and anarchist literature
eat the salads and appetizers at The Farm at Adderly