Ryan Fitzpatrick writes perceptively about Flarf & The Anger Scale Posted on November 21, 2008 by Nada Gordon Despite its seeming randomness and reputation as deliberately stupid, Flarf represents a poetic deeply invested in affect. At its best, the work associated with Flarf produces complex matrices of voices (human or not) enveloped not in socially and syntactically accepted structures of meaning (though often flirting with social logics of different types) but in shifting and exaggerated versions of those structures… Share this: Click to share on X (Opens in new window) X Click to share on Facebook (Opens in new window) Facebook Like Loading... Related
Otohime 
Thanks, Nada!