Maria Damon gets the lifetime perspicacity award for …

postulating that sondheim’s compulsive posting is

a diaspora poetics characteristic, part of a kind of exhaustiveness

or excess that is at the same time always by necessity incomplete. it

is part of what i’m calling an “ethical commitment to debris” rather

than an effect of “lazy editing” or some other protestant-shame

indicator of a fear of expressive excess.

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